Shop More Submit  Join Login
Group Info Group Founded 3 Years ago Statistics 169 Members
12,266 Pageviews199 Watchers

Let yourself be inspired! (or what is this about)

:iconbutterfly1plz::iconbutterfly2plz::iconbutterfly3plz::iconbutterfly4plz::iconbutterfly5plz:


"I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds, and hands, wielding paint and music and drama."
-J.R.R.Tolkien

Most authors dream of having their stories illustrated.
- Linda Hoyland, fanfiction author

:iconbutterfly1plz::iconbutterfly2plz::iconbutterfly3plz::iconbutterfly4plz::iconbutterfly5plz:


We are a group that unites those who write fanfiction stories for the big and wonderful world of professor Tolkien, and those who draw or paint their visions of it. Our goal is to encourage artists to read and illustrate fanfiction, and collect such stories and illustrations.

We closely collaborate with the fanfiction archives Naice a Nilme and The Silmarillion Writers' Guild and fanfiction contest Teitho

:iconbutterfly1plz::iconbutterfly2plz::iconbutterfly3plz::iconbutterfly4plz::iconbutterfly5plz:


OUR GALLERY FOLDERS:

:bulletgreen: fanfiction stories

:bulletgreen: poems

:bulletgreen: humorous and crack fanfics

:bulletgreen: fanfiction illustrations - the picture should have a link to the story or at least its title in the artist's comments. We also accept illustrations for roleplays, the Black Book of Arda and for fan movies (Born of Hope and The Hunt for Gollum)

:bulletgreen: Between the lines - here we accept pictures which themselves tell a story that is not in the books, or just hinted at, it doesn't have to have a link to a story (It can be an AU, original characters, or illustration of the characters before or after the events in the books/movies, a scene that was not showed but logically had to happen, etc.)

:bulletgreen: Teitho pictures: Teitho is a monthly fanfiction challenge, which gives you a theme to write about. Here, we challenge you to take the same theme, and draw a picture for it. It doesn't have to feature Aragorn and/or Legolas, like the written entries do. Your best pictures will be featured at the Teitho site as well.

:bulletgreen:B2MeM: Every year in March, the The Silmarillion Writers' Guild organizes a Back to Middle-earth Month. This folder is for the entries created for it. (You can submit also entries from previous years)

:bulletgreen:NaN illustrations: Every month, the Naice a Nilme archive helds a poll for the Story of the month. We will post the links to the competing stories in our journal, and you chose the story that inspires you, and draw an illustration for it. The best illustrations will be featured in the Naice a Nilme archive together with the Story of the Month.

:bulletred:ABOUT SLASH: We do not accept slash fanfiction and illustration in our main gallery. However, we have a special folder for slash art and fanfiction in our favourites. That way, people who do not like it, can watch the group safely, but if you like it, you know where to find it.
We accept illustrations for slash stories that don't depict slash itself in the gallery, but the link to the story in the artist's comments should be marked as slash.

:bulletred:Please, no Mary Sues in pictures or stories!

:iconbutterfly1plz::iconbutterfly2plz::iconbutterfly3plz::iconbutterfly4plz::iconbutterfly5plz:


SOME OTHER FANFICTION ARCHIVES WHERE YOU CAN LOOK FOR INSPIRATION:

:bulletgreen: fanfiction.net - Lord of the Rings section and Silmarillion section
:bulletgreen: Stories of Arda
:bulletgreen: The Silmarillion Writers' Guild


:iconbutterfly1plz::iconbutterfly2plz::iconbutterfly3plz::iconbutterfly4plz::iconbutterfly5plz:

Gallery Folders

poems

Visitors

You're not here because you're not logged in
  • :iconmirachravaia:
    MirachRavaia - Founder
    Visited here 3 days, 3 hours ago
    Voted today
  • :iconxiispendinallhertime:
    XiiSpendinAllHerTime
    Visited here 5 days, 19 hours ago
    Isn't a member
  • :iconancaxbre:
    AncaXBre - Members
    Visited here 1 week, 31 minutes ago
    Submitted a deviation 2 weeks, 6 days ago
  • :iconmelikebat:
    MelikeBAt
    Visited here 1 week, 5 hours ago
    Isn't a member
  • :iconailinie:
    Ailinie - Members
    Visited here Oct 4, 2014, 12:03:53 AM
    Hasn't contributed yet

Group Info

We collect art inspired by Tolkien fanfiction, and encourage artists to illustrate fanfiction stories
Group
Founded 3 Years ago
Jan 27, 2012

Location
Global

Group Focus
Fan Club

169 Members
199 Watchers
12,266 Pageviews
Daily Pageviews

Deviants

Affiliates

:icontolkien-non-movie::iconmistymountainscold::iconshadowsofmiddleearth::iconof-middle-earth::iconeomir::icontolkien-ocs::iconfanficcrits::icontolkien-voronwe::iconliteraryfanfiction::iconillustrated-fanfic::iconfantasy-heroes::iconwritten-imagination::iconthelotrclub::iconsemi-forgottenheroes::iconlotro-fellowship::iconsilmarillion-club::iconnoldorinfamilystore::iconelves-of-tolkien:

Admins

Founder


:iconmirachravaia:

Co-Founders


:iconvamp-ress::icondreams-of-arda::iconpuppyeyedfinrodplz:

Teitho


When it's just right, you barely even notice it. But shift it just slightly to one of its many extremes, and it can be the most noticeable thing about any trip or event. Of course, I'm talking about Weather, which is our theme for September.

It is the natural background of every story or art that takes place outside. This month, we ask you to bring it to the foreground: is it sunny or cloudy, hot or cold, does it rain or snow? Thunderstorm, hail, draught, hurricane? Bring it on! There is a saying (which could very well come from the Rangers) that there is no such thing as "bad weather" - only badly dressed people. It may be true most of the time, but there are certain types of weather that are unpleasant or dangerous even with the best clothing.

Not only is the weather important for travellers, but also for events. Some - like weddings or ceremonies - are planned long time in advance, and if they are taking place outside, everybody just hopes that the weather will be nice. Such events can be quite ruined by an unexpected storm... but maybe saved as well, at the end. How? That's just up to your imagination.

So be it nice or bad, dry or wet, just remember that weather has to play an important role in your story or picture.

And the winners are:

A New Beginning by TheMusicalDevil 3rd place
Cold Feet, Warm Hearts by Telemachus 2nd place
Forging a Path by Rhymer 1st place
For Want of an Apple by Karri Neves
Men for all Seasons by Linda Hoyland
Hide by BlackShaftedArrow
Into the Tempest by Rebecca Wilkin Belton
Mightier Than the Sword by Wynja2007 1st place
Namarie by Cassie Hughes

Happy reading!
Your Teitho-moderator,
Mirach

Teitho

Talks with Tolkien artists: DonatoArts

Journal Entry: Wed Oct 15, 2014, 1:48 AM


The interview with a professional illustrator Donato Giancola, who has a deviantArt account as :icondonatoarts: - DonatoArts was conducted a bit differently than the rest of the talks. When I asked for it, he directed me to his extensive FAQ page www.donatoart.com/faq.html , where he already answered many of the questions I meant to ask. So, most of the answers are taken from there, and he only added the answers to my other questions. He already added them to his FAQ as well, so if you are interested in reading a more detailed talk about his work and art, I recommend visiting his page. You can also learn more about his painting technique here: www.donatoart.com/technique/te…

Nienor and Glaurung by DonatoArts Galadriel and Aragorn by DonatoArts
Eowyn DefenderofRohan by DonatoArts Gandalf in Moria- The Three Doorways by DonatoArts
Turgon defending Gondolin by DonatoArts OneRing-BagEnd-donato-900 by DonatoArts


1. Hello! For the beginning, could you tell us something about yourself?

I was born (in 1967) and raised in Colchester, Vermont, USA, a township near Burlington. After graduation from Syracuse University I moved to New York City and have resided and worked in Brooklyn since 1993. My wife and I have two daughters.

2. When did you read Tolkien's books for the first time, and what impression did they leave in you?

I first read The Lord of the Rings when I was 13. Without exaggeration, those books changed my life. The elaborately detailed fantasy, the plot's epic sweep, and the characters' classically heroic qualities grabbed hold of me and never let go. I obsessed over them, frequently referring to the appendices at the end of The Return of the King: Who was Beren? How old Moria? When was the First Age? It took forever to read each chapter as I referenced names, places, and events in those notes: each offered a trip to another time and a story as complex as the tale I was engrossed within. Very so afterwards The Lost Tales, Unfinished Tales and The Simarillion were a part of my canon after reading them at my local library.

I still have the books I first read, with paperback covers by Darrell Sweet. A few years ago I was fortunate enough to be able to purchase his original cover painting for The Hobbit. It hangs in a place of honor in my entry hall.

3. How extensive is your knowledge of Middle-earth? Do you consider yourself Tolkien expert?

I would not consider myself an expert on Tolkien, any more than I would call myself a master oil painter.  Labels are for others to place.  I will state I have thoroughly read The Hobbit, The Lord of the Rings, The Silmarillion, Unfinished Tales, Book of Lost Tales I and II, The Lays of Beleriand, the Children of Hurin, and have begun reading the further collected notes by Christopher Tolkien.  Can I write messages in Elvish? No.  But I can hold a conversation on Beren and Luthien and their trip into Angband, discuss the building of Orthanc, or talk about the time Sauron was seen as a friend to the Elves and helped them forge the rings of power... So , yes I know my Middle-earth lore quite extensively, but am not a fact checker.

4. When the movies came out, many of the inner pictures of characters and scenes in the mind of the readers have been replaced by actors and settings from the movie. Did it happen to you as well? Did you try to prevent it?

When the recent movies interpreting the Lord of the Rings were released, many artists became heavily influenced by what they saw onscreen.  A movie is a very powerful form of artistic expression through the use of atmospheric lighting, movement through time, experiences of scale and immersive sound- it is easy to have the world view of the content dictated by what happens on the big screen.  Luckily I am not one of those easily swayed.  

That is not to say there are designs and elements which I found utterly compelling to absorb and enter into my visual language of painting, but rather my expression of Tolkiens’ Middle-earth was set long and very deeply before the movies were released.  One of the major pivotal experiences came when I was 16 years old and a friend handed me the Tolkien Bestiary edited by David Day and included the amazing work of Allan Curless, John Blanche, and most importantly Ian Miller.  Here in my hands was a stunning collection of art inspired by the words of Tolkien, and all of it through various artistic expressions.  This pluralistic tome made it easy to see my own art as a valid form in interpreting and adding to the voices singing the praises of Middle-earth.  It has been that way ever since.  Each new artist I discovered interpreting Tolkien was just another voice in the chorus. Peter Jackson now takes a seat next to Alan Lee, Ted Nasmith, John Howe, Darryl Sweet, David Wenzel, etc...  All equal, and none better than another.  Just different.

Thus I did nothing special when I experienced the films in order to protect that artistic voice I hold.  It was so deeply rooted that the movies blew past like a wind storm, dropping their wonderful treasures about my play space.  And when they are gone I will continue in my journey in seeing Middle-earth as a conversation between me and J.R.R Tolkien...


5. Now, could you tell us something about you and art? Are you a professional artist, or is art just your hobby? When did you start doing it, and who or what influenced your style?

Drawing was my passion pretty much from the time I could hold a crayon. Throughout childhood and adolescence I made models and toys, copied pictures of military hardware and spaceships, and produced 8mm films. Dungeons & Dragons particularly channeled my creative energies. To support my avid play, I painted lead figurines and created detailed maps and character drawings. (One of the more elaborate maps hangs in my studio today.)

Art was a passion, but only a hobby, as my formal art training came late. After starting in electrical engineering at the University of Vermont, I dropped out that course of study in the middle of my third semester. My grades were fine, but I felt frustrated with and unmotivated by the lack of creativity in engineering classes. Uncertain of my path, I enrolled in an art course for my very first formal lesson. After creating some horrible oil paintings, I realized I needed guidance - lots of guidance.

In 1989, I enrolled at Syracuse University, majoring in fine art painting. The exceptional faculty at SU introduced me to the key concepts that underpin all great art: color theory, composition, anatomy, paint techniques, experimental drawing, and post-modern, modern and abstract theorizing. SU also gave me a studio, and I spent nearly all my free time in it, working not only on class assignments but also on numerous personal projects. I worked relentlessly during my three years at Syracuse, finishing my BFA in 1992.

I find inspiration through studying the world's greatest art masters, in the real world about me, and in photography. Some of each of these elements can be found in my most successful works.

Some of my favorite painters are Hans Memling, Jan Van Eyck, Velazquez, Caravaggio, Vermeer, Rembrandt, Ribera, Rubens, Titian - and Mondrian. I strive to bring their complexity into my work, melding classical aesthetics with modern abstraction.

You can see both types of influences in some of my illustrations. For example: Cartographer is inspired by Lorenzo Lotto's portraits; the dense compression of figures in Faramir at Osgiliath combines Caravaggio-like renderings with Modrian's surface patterning; and the vertical columns in Ashling recall Barnet Neuman while building upon the atmospheric illusions of Van Eyckian perspectives.

Visiting the actual paintings is what most inspires me. While images of many great paintings can be readily found in books, nothing impresses as much as being in the presence of the real works. How can a book convey the almost overwhelming scale of a 16' by 10' Velazquez painting, with life-sized figures? Or the squinty, exquisite detail of a tiny, 8Ó x 12Ó Van Eyck? I habituate the many great museums in my home city, New York, and no vacation is complete without a pilgrimage to another great art museum.

6. How do you choose which scenes and characters to illustrate?

I have always sought great challenges in my art. To this end when looking for inspiration to illustrate novels and stories, I have always attempted to render those moments which are ill described or fleeting in nature, yet capture the essence of the characters and narrative. Simple 'domestic' scenes are difficult to compose to appear compelling, yet a successful painting in this manner can carry much more power than a heroic battle scene. Consider your reader and viewer, they most likely have never experienced the intensity of conflict nor the range of extremes most heroes travel through. It is upon a common ground of emotion with which I attempt to build my narratives. And it is with these simple scenes that J.R.R. Tolkien makes us feel the humanity of his characters; the depths of utter darkness in Moria; Merry and Pippin smoking pipe weed after the destruction of Isengard; Frodo and Sam cooking a brace of rabbits in the Shadow of Mordor.

7. What art technique is your favourite? Do you rather keep to the art techniques and styles you are familiar with, or do you experiment with new ones as well?

My studio contains many different oil paints, brushes, turpentine, linseed oil, palettes, paper, Masonite, panels, art boards, rags, easels, photographs, cameras, mat boards, frames, studio lights for photographing models, and props for the models (cloths, costumes, etc.). My shelves are filled with books of reference for costumes, landscapes and architectural designs. My office contains, a computer, printer, various papers, templates, rulers, etc.

The most necessary and favorite tool I could never do without is a pencil.

Currently the increasing presence of digital illustration with its faster production time and on-the-fly-changes is shrinking the market for traditional illustrators who work by hand. Nonetheless, those with creative ideas and the strong skills to realize them can still find a niche. Furthermore, digital hardware still does not substitute for a powerful idea, strong composition, and developed narratives which form the foundation for all quality art, no matter how it is made.

8. Do you use references?

When creating an illustration I primarily work from photos but always produce gesture drawings from live figures. The many happy accidents and discoveries that occur from real life cannot be anticipated or made up. I use these gesture drawings as springboards for the final illustrations and paintings.

I don't use 3D models in creating my architecture, dragons or aliens - not from lack of desire but rather from my inability to create a nice miniature.


9. Do you have some tips and tricks you would like to share with the other artists?

Practice. Practice. Practice. Visit galleries, exhibitions, other artists studios, and museums. Take art classes and try to draw things you like. Learn to struggle. Challenge yourself constantly and learn to draw people.


10. Could you give us a link or thumbnail from your gallery of
- a Tolkien illustration you are most proud of?
'I threw down my enemy' - Gandalf on Zirak-zigil by DonatoArts

- a picture from other fandom or original picture you are most proud of?
Joan of Arc by DonatoArts

- a picture that fits your current mood?
Bag End - Shadow of the Past by DonatoArts

- a picture that was hardest to paint?
Huor and Hurin Approaching Gondolin by DonatoArts

Thank you for your time and answers!

Previous talks:Bullet; Blue with Gold-Seven fav.me/d6aprnx
                            Bullet; Blue with steamey fav.me/d6bx1lc
                            Bullet; Blue with ekukanova fav.me/d6dzooz
                            Bullet; Blue with Tulikoura fav.me/d6gqc7f
                            Bullet; Blue with AbePapakhian fav.me/d6l0qap
                            Bullet; Blue with kimberly80 fav.me/d6nt0jo
                            Bullet; Blue with jankolas fav.me/d6o41tp
                            Bullet; Blue with jgilronan fav.me/d720ty2
                            Bullet; Blue with ebe-kastein fav.me/d7432vw
                            Bullet; Blue with MatsumotoSensei fav.me/d76jc7r
                            Bullet; Blue with TurnerMohan fav.me/d78r8wr
                            Bullet; Blue with ullakko fav.me/d79rfcc
                            Bullet; Blue with batwinged-squirrel fav.me/d7aoebk
                            Bullet; Blue with wolfanita  fav.me/d7awlf3
                            Bullet; Blue with marisoly  fav.me/d7awlg4
                            Bullet; Blue with kaijukid  fav.me/d7n5duj
                            Bullet; Blue with faQy  fav.me/d7ox700
                            Bullet; Blue with hitogata / kittykatkanie  fav.me/d7qsais
                            Bullet; Blue with spiegelscherben  fav.me/d7r6bdi
                            Bullet; Blue with The-Black-Panther  fav.me/d7r8jjz
                            Bullet; Blue with SceithAilm  fav.me/d7vtf2s
                            Bullet; Blue with Candra Talks with Tolkien artists: Candra
                            Bullet; Blue with evankart Talks with Tolkien artists: evankart
                            Bullet; Blue with greensap Talks with Tolkien artists: greensap


Rohirrim journal skin.

Horse head 2009 - Grinmir-stock
Texture by kizistock
Knotwork by gbrgraphix

Talks with Tolkien artists: greensap

Journal Entry: Wed Oct 8, 2014, 6:26 AM


A Hobbit and a friend of Ents - that's how the talented artists :icongreensap: - greensap introduces himself. Before reading his answers to my questions, you can take a look at a few pictures from his gallery:

The Tale of Beren and Luthien by greensap Feathered Friends by greensap

from Frying Pan into the Fire by greensap ShieldMaiden by greensap
Oldman of the Woods by greensap The Dragon`s Waistcoat by greensap


1. Hello! For the beginning, could you tell us something about yourself?


My name is Terry Ernest, I come from a long line of hobbits. Born and bred in the village of Pinhoe in the Shire of Devon, England, we 'ave a saying down 'ere in devon :
Devon born,
Devon bred,
Strong in the arm,
Thick in the head... ha!

2. When did you read Tolkien's books for the first time, and what impression did they leave in you?


I was about seventeen when I first started to read the Hobbit. After the first chapter I almost put the book down, thinking it was more suited for my younger bother or sisters, but decided to persevere for three chapters ... and then I was hooked.
I went on to read "Lord of the Rings" , and never wanted the books to end.
Some part of my heart, will always remain in middle earth.

3. How extensive is your knowledge of Middle-earth? Do you consider yourself Tolkien expert?

Although I've read all the books several times, I don't have a great depth of knowledge, I'm very dyslexic and really struggle with language ... (thank god for the spell checker ha!) . I'm very slow when it comes to reading, and will sometimes reread though a paragraph, so I can really see the story in my mind eye in a visual way.

4. When the movies came out, many of the inner pictures of characters and scenes in the mind of the readers have been replaced by actors and settings from the movie. Did it happen to you as well? Did you try to prevent it?


Yes unfortunately that's inevitable to some extent, and in some cases the movie coincided with the my own concept of the scene's and characters. There are still some characters that I retain in my imagination, and still a few more that needs to be developed, Jackson won't be the last word, where Mr Tolkien work is concerned ... There will be other versions of the hobbit and lord of the Rings, and hopefully closer to Mr Tolkien's narrative, probably by then, we will all be able to experience the movie in an immersive interactive way...

5. Now, could you tell us something about you and art? Are you a professional artist, or is art just your hobby? When did you start doing it, and who or what influenced your style?

I like to think my artwork is close to being professional, but my attitude is far from being professional. Originally started Drawing around 13 years old, went on and spent three years at exeter collage of art.
My influences came from the mainstream of the great Artists through out history, and of course the daddy of all fantasy, Frank Frazetta.
I'm an admirer of the artist Stephanie pui-mun Law... I live in hope that some of her professionalism and work ethic will magically be spirited into me, and
my Artwork. Alan Lee and John Howe are the two Tolkien artists I respect, the former, only lives about 10 miles away, as the crow flys, and draws his inspiration from the same well as I do, Dartmoor.

6. How do you choose which scenes and characters to illustrate?


We'll I originally started with conceptual drawings of the most difficult characters to visualise , like Gollum, and Bilbo. Mr Tolkien renders wonderful images in your mind when you read his literature. Gandalf was a must, and Treebeard, and oh so many wonderful scene's and characters ... The movie is pale reflection in comparison to his Books.

7. What art technique is your favourite? Do you rather keep to the art techniques and styles you are familiar with, or do you experiment with new ones as well?

Oils, acrylics, carving, 3d modelling via light wave, crayons, modelling with plastercine, my favourite has always been gouache, and watercolour.
Experimenting with art has alway been near to my heart.

8. In several of your drawings, you make perspective an efficient tool to make the picture interesting. Do you use a geometric approach to get it right, or draw it just from your imagination?

First I read the the part of the story I want to illustrate , and then can visualise several pictures in my mind, as with "from the frying pan into the fire" the only way to get the whole narrative into one picture, was to either to see the scene lying on ones back on the ground, or from a birds eye view looking down. To be able create this you need to have some fundamental knowledge of perspective. I'm certainly not an expert in using perspective, but I know enough to get by.
Composition for me, is always best when I let it flow naturally. I will use rulers, and compass, or any round object lying around, if the composition needs be. No matter how hard or impossible the picture that my mind conjures up, I will attempt it ...
and usually full flat on my face ...ha!

9. Do you have some tips and tricks you would like to share with the other artists?

I do my precious, but there mine, all mine! ... Don't trust anyone with the name of Baggins, ha! ...

always leave the viewer with some mystery, about your painting, because if you tell everything about your work you leave nothing for the imagination.

Use the online free university "utube" you can learn anything you need to know about creating Artwork .

10. Could you give us a link or thumbnail from your gallery of


- a Tolkien illustration you are most proud of?
Journey into the Shadows by greensap

- a picture from other fandom or original picture you are most proud of?
Yavana Garden by greensap

- a picture that fits your current mood?
Sacrifice by greensap

- a picture that was hardest to paint?
Conversation with a Dragon by greensap

- any other picture you would like to share with us and why?
The Great Adventure by greensap
We'll it achieved a DD thanks to MirachRavaia :) (Smile)

11. What key people in your life, (on or off of dA) have been inspirations to you, or has supported you, as an artist? You can also tell us why, if you want.

To be honest MirachRavaia has been great support here on DA to me, and many others in a true elven fashion.

I've been inspired by Steph Law ... I stepped into her fae world seams like yesterday in late 98 and now it's 2014 ... The old tales are true about stepping into magical fairy dance ... :D (Big Grin)

Stag Sonata Cycle: Scherzando by puimun
The many lovely people who have come into my gallery, and have taken there time to comment on my ArtWork, over the years Deviantart and Elfwood where I started, which is sadly not working anymore , and Epilogue.

12. Is there some artist(s) at dA you know, who doesn't have as much attention as they would deserve? If yes, could you give us some thumbnails from their gallery?


This is one flame that I flutter around.

Swallow her superb imagery in her poetry
:icontsubame-33: - tsubame-33

13. Is there something else you would like to tell to the fans of Tolkien and your art?


Only to those of you, who are movie fans, and have never read the Mr Tolkien's Books ... Do be kind to yourself, and read the Hobbit and the trilogy, there's so much more to middle Earth ... Love & light ...

Thank you very much for your time and answers!


Previous talks:Bullet; Blue with Gold-Seven fav.me/d6aprnx
                            Bullet; Blue with steamey fav.me/d6bx1lc
                            Bullet; Blue with ekukanova fav.me/d6dzooz
                            Bullet; Blue with Tulikoura fav.me/d6gqc7f
                            Bullet; Blue with AbePapakhian fav.me/d6l0qap
                            Bullet; Blue with kimberly80 fav.me/d6nt0jo
                            Bullet; Blue with jankolas fav.me/d6o41tp
                            Bullet; Blue with jgilronan fav.me/d720ty2
                            Bullet; Blue with ebe-kastein fav.me/d7432vw
                            Bullet; Blue with MatsumotoSensei fav.me/d76jc7r
                            Bullet; Blue with TurnerMohan fav.me/d78r8wr
                            Bullet; Blue with ullakko fav.me/d79rfcc
                            Bullet; Blue with batwinged-squirrel fav.me/d7aoebk
                            Bullet; Blue with wolfanita  fav.me/d7awlf3
                            Bullet; Blue with marisoly  fav.me/d7awlg4
                            Bullet; Blue with kaijukid  fav.me/d7n5duj
                            Bullet; Blue with faQy  fav.me/d7ox700
                            Bullet; Blue with hitogata / kittykatkanie  fav.me/d7qsais
                            Bullet; Blue with spiegelscherben  fav.me/d7r6bdi
                            Bullet; Blue with The-Black-Panther  fav.me/d7r8jjz
                            Bullet; Blue with SceithAilm  fav.me/d7vtf2s
                            Bullet; Blue with Candra Talks with Tolkien artists: Candra
                            Bullet; Blue with evankart Talks with Tolkien artists: evankart

Rohirrim journal skin.

Horse head 2009 - Grinmir-stock
Texture by kizistock
Knotwork by gbrgraphix
More Journal Entries

Comments


Add a Comment:
 
:iconbrunild:
Brunild Featured By Owner Jul 1, 2014   Traditional Artist
Thanks for accepting my work :heart:
Reply
:iconbranbolger:
BranBolger Featured By Owner May 4, 2014

To anyone who reads this:

do you like to design fantasy characters, or do you simply like to draw digitally?

i need somebody that is willing to design the artwork for the cards and the other elements for the game that i’m making. i can’t pay you for it, because i’m only 14 years old, but if i ever get to publish the game, i will contact you to make arrangements. if you are interested in working with me, contact me atelphirstudios@gmail.com. You can also contact me on my facebook (www.facebook.com/pages/Elphirs…) or my google+ (plus.google.com/u/0/b/11604482…)

also, if you know somebody that would maybe be interested, send them there!


the game that i’m making takes place in middle earth, so the style would be similar to Alan Lee’s and Jhon Howe’s, although the characters are not those appearing in the books or films.


a couple of examples of the style that I’m looking for:elifsiebenpfeiffer.deviantart.…

digital-fantasy.deviantart.com…
dleoblack.deviantart.com/art/O…
Reply
:iconhazelnutsandcream:
HazelNutsandCream Featured By Owner Jan 4, 2014  Hobbyist General Artist
Hi!  I'm looking for someone who knows Tengwar to help me with writing a phrase in Sindarin, just wondering if anyone in this group is familiar with it or knows someone else who is?  Thanks! :D (Big Grin)
Reply
:iconmirachravaia:
MirachRavaia Featured By Owner Jan 5, 2014  Hobbyist General Artist
It's actually not that hard, there are a few nice tutorials that can help you:
TUTORIAL: How to write Elvish by snurtz A Guide to Tengwar by Akinyi-Mojiko
Reply
:iconhazelnutsandcream:
HazelNutsandCream Featured By Owner Jan 5, 2014  Hobbyist General Artist
Thank you! :D
Reply
:iconlegolaslover2003:
legolaslover2003 Featured By Owner Dec 3, 2013  Hobbyist Traditional Artist
Soooo I tried to submit something for the December art portion of Teitho and it says I can't because I've submitted something in the last 30 days.
Any suggestions?

:jarkinajar:
Reply
:iconmirachravaia:
MirachRavaia Featured By Owner Dec 11, 2013  Hobbyist General Artist
The limit for the Teitho folder is 2 per month, but you apparently submitted the previous entry twice, and although it can be accepted only once, the submission counts towards the limit. Try it now, I set the limit to 3.
Reply
:iconlegolaslover2003:
legolaslover2003 Featured By Owner Dec 16, 2013  Hobbyist Traditional Artist
Wow really?  Huh... though that's hardly surprising... my internet does strange things sometimes.
I've submitted it and didn't get an error this time so maybe it worked, hehehe.
Thanks!

:jarkinajar:
Reply
:iconlotrolaurelin:
LotROLaurelin Featured By Owner Apr 2, 2013  Hobbyist Traditional Artist
I am glad to be a member of this group.
Thank you.
Reply
:iconbrunild:
Brunild Featured By Owner Jan 13, 2013   Traditional Artist
Thanks :heart: !!
Reply
Add a Comment: